The Tracks series explores the compositional architecture of the moving image by exploiting films captured in special cases. Specifically, these films exploit the uniform, linear motion of a moving train and the passing landscape. The relationship between adjacent frames of a video file are both temporal and structural, allowing spacial-temporal manipulations. Displaying hundreds of frames (or portions of frames) in succession on a curved path, the artists produces malleable, extended landscapes that spill across the video surface.